Official Statement — Belgian Art Institute
The Belgian Art Institute announces that the entire Gray Collection of NFTs, based on Francis Bacon’s self-portrait and originally scheduled for release on October 2, has been fully reserved by a private investor. Therefore, the Institute is removing the Gray Collection from public sale.
The next stage of the project — the launch of the third series, the Purple Collection — will take place as scheduled on October 16.
All participants who applied for the “2 for 1” promotion during the first 48 hours of the White Collection and the Gray Collection will be automatically added to the whitelist of the Purple Collection and will retain the right to purchase NFTs under the “2 for 1” terms during the first 48 hours of sales, starting October 16.
The Belgian Art Institute expresses its gratitude to the community for the strong interest in the project and reaffirms its commitment to transparency and a step-by-step implementation of the roadmap.
Belgian Art Institute

NFT Drop Starts In!
Time zone: Brussels (CET/CEST)
Own a Fragment from the Purple Collection
For the first time, Francis Bacon’s self-portrait (1956–1957) becomes available a certified digital collectible.
Launch: 16 October 2025
13:00 CEST (Brussels) 7:00 EST (New York) 20:00 JST (Tokyo)
Only 1,111 NFTs are available in the Purple Series — the third of five collections revealing Francis Bacon’s self-portrait (1956–1957). Once sold, they will never be minted again, making each token a one-of-a-kind certified fragment of this cultural treasure. For the first 48 hours, early supporters will receive 2 NFTs for the price of 1, celebrating our mission to preserve and reimagine world art in the digital age.
Some artworks are too important to remain locked away. The Belgian Art Institute brings them into the digital age — authenticated, scientifically analyzed, and preserved forever on the blockchain.
By owning one, you become part of the story: protecting cultural history, ensuring it is never lost, and passing it on to future generations.
Created in the late 1940s, Head I is one of Bacon’s early masterpieces, marking his exploration of raw human emotion, distorted forms, and psychological intensity. These same themes would continue to evolve in his later works, including the self-portrait from 1956–1957 featured in the BACON NFT Collection. Both paintings reveal Bacon’s relentless pursuit of the human condition — confronting mortality, vulnerability, and identity with uncompromising force.
Francis Bacon Head I, 1947–48
The Metropolitan Museum of Art,
New York ©
